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Published in GQ Magazine, 2007
Pic: a memorial to Billy Cox in Fenwick Place, Clapham, 2007.
By Stuart Griffiths.
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It often feels like London is, as John Berger wrote, “a
teenager, an urchin.” The city is piratical, rebellious and
creative, but also prone to compulsions, low self-esteem and self-destruction.
In 2007, the teenage city turned in on itself in dark and ugly
ways. During 10 days in February, three teenagers where shot dead
within a few miles of each other among the innards of south London.
This tragic trilogy made news because when overall gun and violent crime was
falling, they illustrated some tough truths: that the age of gun crime victims
was also falling, while youth involvement in shootings was rising. On Operation
Trident’s watch – the Metropolitan Police bureau dedicated to black-on-black
gun crime – 31 per cent of victims were teenagers. In the first six months
of 2007, 15 teenagers died from stabbings and shootings in the capital.
The deaths combined the mundane and the macabre. On Valentine’s Day Sixteen-year-old
Billy Cox, a young offender who lived under curfew in his parents’ flat
on the Fenwick Estate at Clapham North, was in his bedroom when he was shot in
the chest. Eight days earlier, the churchgoing 15-year-old Michael Dosunmu was
shot in his home on Diamond Street in Peckham, a short walk from where Damilola
Taylor was murdered in 2000. And on February 3, James Andre Smart-Fordd was shot
in a disco at the Streatham Ice Bowl. the 16-year-old collapsed onto the ice
as skating partygoers rushed the exits, and his blood mixed into slush.
Political and media attention immediately intensified on the area triangulated
by the murder sites, a complex, unpretty swathe of the capital where grim social
housing estates halt abruptly at gentrified streets.
In parliament serious questions were raised and proposals made to stoughen legislation
on the use of firearms. In the papers, meanwhile, speculation quickly grew with
reports of mistaken identities, executions and vendettas resulting from “respect” issues
and drug turf wars. News sources carried stories of gangs of tooled-up, “feral” hoodies,
some barely into their teens, who flagrantly dealt drugs, wore their ASBOs with
pride, and took the piss out of visiting politicians. When they weren’t
terrorizing commuters, it was supposed, they were busy waging war on each other
with knives, guns and CS gas.
During February, Operation Trident found itself working “beyond capacity” in
Lambeth. Patrols from CO19, the Met’s armed division, were dispatched into
the toughest areas.
South London, one newspaper said, was “nihilistic anarchy”. Media
execs dispatched duly hardman of soap, Ross Kemp, and the Rt. Hon Anne Widdicombe
as mediagenic peace envoys to the ravaged estates of Myatt’s Fields and
North Peckham. And although Lambeth, with a total of 175 “events” since
2001, tops Trident’s Murder & Shooting Incidents index, the same “nihilistic
anarchy” headline remained unrecognisable
to the vast majority of residents (including me).
After the media-political circus moved on, London life continued. A shrine to
Billy Cox with a graffiti mural was improvised on the Fenwick Estate; some residents
complained it would reduce property values. The mural was defaced, then repainted.
The teenager’s presence lives on in his “Remer” tag, spayed
on walls and fingered into drying cement on the pavement.
Then in June, Metropolitan Chief Inspector Ian Blair announced the launch of
The Met’s Operation Curb, targeting gang violence, after five teenagers
across London were left dead in a fresh wave of stabbings and shootings. In one
week alone Martin Dinnegan, 14, Ben Hitchcock, 16, Annaka Pinto, 17, Abu Shahin
and Sian Simpson, both 18, all died. As ugly as February’s events were,
June proved that the violence didn't stop there. Nor did it stop in Lambeth or
even start in February, and, in fact, London’s secret teenage conflict
probably won’t end before Operation Curb does.
In June 2006, a year before this latest wave, Fabian Ricketts, 18, was gunned
down at a barbecue in Battersea and Alex “Tiny Alien” Malumba Kamondo,
15, was stabbed to death in Kennington. In October Jamail “Big Show” Newton,
19, died outside a Camberwell nightclub in a hail of bullets from Mac 10 submachine
gun. In March, fellow pupils Adam Regis, 15, and Paul Erhahon, 14, were both
knifed to death in East London. Across town on the 14th, 16-year-old Kodjo Yenga
was murdered on Hammersmith Grove by a group of youths, some of whom were heard
to shout “kill him, kill him” as he died. In May Dwaine Douglas,
18, was stabbed to death in Thornton Heath. These are only some of the events
that got reported. Many others didn’t.
Was it “war”, this day-to-day sense threat and violence? You could
say so. To some teenagers who choose to escape its effects by attending
Raw Material, a youth media and music project in Brixton – some of whom
also knew Billy Cox - the sense of being in the midst of conflict is widely felt. “We
are on the battlefield, we are soldiers,” says J-Hero, an MC. “Youths
are use to it. Being on the street, the street is a way of life now. Someone
I guarantee was being shot last night. And it’s like, here we go again.
It's not gonna stop.”
“It's not even a shock no more when someone dies,” says Simon, an
enigmatic young rapper. “I’ve lost count of the names. It's an everyday
thing. You think in your head, Oh, that’s bad. But you get on with life.”
Indeed, it’s not hard to find others teenagers whose everyday lives are
lived as if they are on the frontline, overcast with hyper-vigilance. They fear
being shot, stabbed, robbed or assaulted for reasons as insubstantial as looking
the wrong way, knowing the wrong person, or in a postcode lottery of a different
order, being in the wrong place.
Nineteen year-old Sharlene, for example, a former gang affiliate now going through
a rehabilitation process, was shot at one day on Acre Lane in Brixton. It made
her angry, even though it wasn’t the first time.
She recalls standing on the roadside waiting for a friend. Some boys rode up
on bikes and stopped. “There was bare smoke, so I’m looking up and
thinking, Rah, what’s happening?” she says. “I dropped onto
the floor - I don’t know why because I never saw the gun. God knocked my
legs down and the bullet went fffffwwww over my head. People thought I was dead.”
“People getting shot in front of me or me being shot after is no longer
a shocking experience,” she says. “I’ve been shot after so
many times that God only know why I’m still here.”
But what kind of “war” was this? An indication came on June 7 when
Don't Trigger, an new initiative on gun crime awareness, was launched at London’s
City Hall. Addressing the audience, Pastor Nims Obunge of the Peace Alliance,
made a correction: “These aren't gunmen,” he says. “They're
gunboys.”
The police reports also reveal how the violence is atomised and sporadic but,
to many people, largely invisible, for one very good reason. If violence is a
disease, this virus feeds on the young
At the centre of the teenage war is a perverse circularity corroborated by the
understanding, shared by Trident’s DI Steve Tyler, that in this part of
town, “today’s victim is tomorrow’s suspect.” It is literally
a vicious circle - where knives that are carried to protect become the cause
of their carrier being attacked, and where gangs form in defence, but quickly
become aggressors.
David Gustave, a key worker at Kids Company, a youth support charity in Camberwell,
point out another way in which the “war” is lived in South London
today. “It’s war to make it out there. The guys who come here will
tell, My life is screwed. They will tell you the economic fact is that they
have to get money. We’re on the frontline here.
Gustave understand only too well that young people who emerge from violent backgrounds
are those who go on to violate others.
Some of those the arrivals, he argues, even exhibit symptoms associated with
post-traumatic stress disorder. “They’ve been at war basically,” he
says. “We see it in the same things in soldiers coming back from Iraq -
antisocial behaviour, aggression, hypervigilance. We’ve brutalised our
young people to the point where we have highest amount of teenage pregnancy,
sexual disease and drugs and alcohol abuse in Europe. We’ve just swept
a whole generation under the carpet as far as I’m concerned. These kids
are damaged and they’re programmed for collapse.”
***
Guns are far from the only source of the recent disorder, but their growing on
the street is inevitably a central cause to London’s teenage war. Replica
guns can be bought for legally for around £35 and converted for several
hundred more. Altogether more purposeful weapons can also be sourced.
Indeed, asked how many of the South London gangs carry guns, Aaron, 17, a lean,
afro’d former member of “Bloodset”, a gang tied to the estates
around Brixton Hill, says, “all of them got guns. But only the olders have
got the machine guns. Youngers have only got stupid guns - .22s and
replicas.”
“They’re too easily accessible,” he says. “You can buy
a .38 brand new in the box for £500. How much is that? Nothing. The only
way this shit’s gonna stop is to get all the guns out of the country.”
Aaron experienced the violence at close hand. He became a gang member, because, “basically,
you have to join. I seen all these kids dying, and I thought I’m not letting
that happen to me. I thought, if I affiliate myself with a gang, there’s
more chance I’ll live.”
He was a friend of the recent casualty Dwaine Douglas, and knew Alex “Tiny
Alien” Malumba Kamondo who was killed last year. “When Tiny Alien
died, I felt something in my heart for him,” he explains. “When Dwaine
Douglas died, I wanted to kill someone.”
Aaron’s day-to-day is now spent under an Intensive Surveillance and Supervision
Programme (SIPS), an alternative to custody, where these events have caused him
to rethink his life. He spent three nights in Brixton police station after pistol-whipping
someone and was told that he was facing six to nine years. It got him scared. “From
the day I was released,’ he says, “I’ve never done nothing
wrong. For the past 7 months I stayed away from everything. No involved no more.
I just threw it all out the window.”
His ISSP mentor, Delroy Thomas, works on the fringes of longstanding neighbourhood
rivalries, continually evolving “beefs”, fractious affiliations and
sporadic “violations” of “face” that can flare into assault
and murder in the jigsaw-puzzle of South London’s new gangland. Thomas
echoes one of Trident’s insights: “the perpetrators are always the
victims and the victims are the perpetrators,” Thomas says. “It's
all one circle. All my young people have been victims.”
Early in 2007 the police identified up to 169 gangs with as many as 5,000 members
in London. The phenomenon is only too real, and it is where random psychotic
behaviour grows into organized psychotic behaviour with identities, territories,
feuds and informal policing systems to maintain them. However, the function and
structure of the new gangs in the majority of cases is radically different to
the extortion and thuggery of pop-mythical Ron ’n’ Reg Kray era.
In this blurry, Ballardian world, affiliations, hierarchies and identities are
fluid, extending across boundaries between real and hyper-real. Indeed, you can
surf some of them on MySpace.
Aaron can tell you everything you’d rather not know about how the factional
South London microcosm functions today. He knows what it means to spot a group
of boys walking with identical, coloured bandanas hanging from their pockets
or worn bandit-style across the mouth: “If you see bandanas on their face,” he
says, “there’s gonna be madness.”
Depending on which part of town you’re in, red, yellow, blue, green and
purple bandanas today mean you're in the presence, respectively, of Stockwell’s
G Street gang or Brixton Hill’s Bloodset; the Peckham Boys; the Cripset
or MZ (“MurderZone”) outfits based from the Somerleyton estate on
Brixton’s Coldharbour Lane; the OC, based in the swathe of housing estates
of Angell Town and Myatt’s Fields; and PIF (“Paid in Full’),
from the Loughborough Estate, a subset of Brixton’s pre-eminent PDC (formerly “Peel
Dem Crew”), a gang who’ve recently repositioned themselves as a So
Solid Crew-style music collective
The feudalism doesn't end there. He could tell you about the Brockley Boys, Young
Peckham Boys, Wildcats, Roadside Gs, Ghetto Boys, DTK, SUK, Acre Lane Campaign,
RMK, T-Block, D-Block, O-Tray, Heathset, Gipset, Stick Up Kids, Kids On The Hill,
Clap Town Kidz, Man Dem Crew and CFR, all in Southwark and Lambeth alone.
Whether the gangs or the violence came first is impossible to tell. But as random
and sporadic as it seems, the mayhem does have some form of order to it. A recent
Youth Justice Board ((“Gangs, Guns And Weapons”) paper made a key
distinction between relevant types of violence: “instrumental” and “expressive” crime.
“Instrumental criminality” is often a cause of shooting, usually
when issues over the theft or non-payment of drugs are resolved. But often it
is about the more nuanced but equally destructive “expressive criminality”.
In the gang sphere, excuses for antagonism are easy to find and violence flares
so quickly. All hell can break loose when someone steps on someone else’s
shoes in a dance, when someone looks at someone else the wrong way, or when a
casual hand gesture, as in the case of Fabian Ricketts’ death, is misinterpreted
as the two-finger “gun salute.”
“In the raves, certain people don't go to party,” Richard explains. “They
go in there to fight. There’s 20 of us and 20 of them. Something will just
kick off. He'll says, Why you looking at me? And I’ll say, What's wrong
with you? And someone will get stabbed.”
Serious assaults can result from a “perceived defection” where one
gang member X judges another as failing to “rep his ends”.
Similarly, longstanding neighbourhood rivalries – “beefs” between
Peckham and Brixton, for example – are perpetuated long after their original
causes were forgotten, because “reppin’ your ends”, is a central
function of the gang’s raison d’etre.
“If a guy’s in the wrong place, it’s possible he’ll get
attacked,” Delroy Thomas says. “Peckham and Brixton are in major
beef now. Guys from Brixton will not enter Peckham. Peckham guys, on the other
hand, will come to Brixton. They’ll see a guy and just fuck him up, regardless
of who he is – he’s in Brixton, so he’s from Brixton. It's
that deep.”
Initiation rites, which range from the banal to the brutal, also play their part.
To earn the respect of his peers, a young man or woman may be asked “bat
beef” – publicly confront a rival to prove he’s no pussy. He
may be asked to jack someone’s phone, mug a commuter for his laptop, just
beat someone up or sink a knife into their back.
“When someone get stabbed, it's about someone getting a name for themselves,” says
Richard. “You become a bad boy. You have the guts to prove you're a bad
boy. If you stay in school, you’re gonna end up without no rep. No friends.
You have to be affiliated with all the bad stuff to have friends.”
Much of the violence crystallises around the notions of “respect” and “face” -
commodities that can be won or lost, and that also function as markers of gang
territory. Straying into the wrong “ends” is interpreted as an act
of disrespect - a “violation” - and dealt with accordingly.
Thus the “expressive criminality” of fighting serves ultimately to
define the broader gang identity. Like Catherine Tate’s depiction of the
histrionic teenage response to imagined criticisms, Lambeth’s young gangland
hotheads are excessively “bovvered” about reputation.
And indeed, the younger the gang member, the more important this poisonous reimagining
of “respect” appears to be. “Proportionally the younger they
get, the more the element of respect increases,’ says DI Tyler.
***
Operation Trident, whose work stretches beyond the teenage crime
that exploded this year, are keen to suggest that the streets aren't “awash
with firearms” and nor is murder an everyday occurrence.
In 2006 Trident reported 199 shootings and 18 murders - much fewer
than one every day.
DI Tyler estimates the costs of a straightforward Trident murder
investigation amounts to £1million. “But we don’t
have many straightforward murders,” he adds.
Reforming behaviour may not come so easily to his wider generation
though as it did to Aaron though. On the “Trident Criminality
Theories” chart shown to GO by DI Steve Tyler, firearm availability
is only one of 72 possible causative factors leading to gun crime.
From the centre of the web-like chart, 12 interconnecting principal
causes, such as gangs, peers, education, drugs, culture, psychology
and chosen criminal career path, are fed into by many more secondary
elements. They include: absent role models, unemployment, “baling”,
gangster rap, deprivation, low self-esteem, protection, turf wars, “proving
oneself”, belonging, fashion, revenge, school expulsion,
drugs, “nihilism” and more. In Trident’s theory,
the route to the extreme violence go can be through any of these.
“There is no one causal factor,” DI Tyler says. He talks, for instance
about, “are psychological issues - a lot of young people live for the
moment and don't anticipate living long so they do the 50 Cent thing – “get
rich or die trying’”.
“And peer pressure: being sucked into badness at as young as six or seven
or 7, maybe dropping of a bit of dope for a tanner. By the time they’re
teenagers, they’re already in it. Drugs are usually the crime element.”
Another spoke in the wheel points towards the severe socio-economic
causes that all to visible in the deprivation of Angell Town, Somerleyton
or any of London’s other tough estates. “In the main
Trident criminality takes place in the most deprived wars in the
most deprived boroughs,” DI Tyler says.”
As to why gun crime is getting younger, DI Tyler admits the picture
is unclear. “It’s a difficult one,” he says. “Some
of the suppositions are that in the past gangster type families
like the Kraus exerted informal policing. Young people wouldn’t
have access to guns. Another argument is that a lot of Trident
criminals have been put away for a long time.”
Trident also engages with schools and pupil referral units to raise
awareness of gun criminality. That includes challenging the widely
held belief in the inner-cities that guns are being supplied by
the Government to undermine communities.
Indeed, “There is no ways guns are getting into the country
without someone at the top letting it through,” Marcia, 18,
told us. “Why it is so easy to get a gun in Lambeth? They
put them here for a reason.”
“It's bizarre in the extreme,” DI Tyler acknowledges, “but
it’s a held belief and one we have to challenge,”.
Similarly, while the mass brawls involving knives, guns, dogs and
samurai swords, such as happened in Kennington Park on June 8 last
year and after which Alex “Tiny Alien” Malumba Kamondo
was knifed to death, are only too real, not every teenage murder
is gang related, nor is every gang actually a gang.
Even the Met itself doesn’t have a concrete definition of
what a gang actually is. And Delroy Thomas and DI Steve Tyler both
agree with the Youth Justice Board publication above which urged
against “giving an exaggerated impression of the prevalence
of gangs”.
“We should be wary of using the terminology of ‘gangs’,” says
DI Tyler. “From my experience, they’re not as formalised and structured.
I prefer ‘groups’ – usually it's a group from one estate
who don't get on with another estate.” Tyler adds that that 60 per cent
of Trident shooting take place in their home boroughs. “The gunman has
been born and brought up there and tends to shoot other people there.”
Meanwhile, most “gangs” are simply bunch of friends
says Delroy Thomas. “A fine example – Acre Lane Campaign,” he
says. “I live on Acre Lane. I know for a fact, these young
lads just have a name. One of two of them are thieves, but the
main group go to school or college. Because they come from Acre
Lane, they become ALC. But it's not a gang. It's a group of young
people.”
Thomas estimates that only around eight south London gangs are “effective” in
making money and establishing tier systems. Typically, they comprise
a minority of central criminal figures, around which coalesce a
community of hangers-on. Sometimes they become member under duress.
Two gangs particular are notorious in Lambeth and thought to be
responsible for “six months of terror”, Delroy Thomas
says, earlier this year on the roads: PDC and SMS. Members of a
group related to the latter, The Muslim Boys, were known to have
forcibly converted rivals, on pain of death, into a gangsterish
form Islam, a process which cost Adrian Marriot his life. Even
without Islamist pressgangs on the warpath, the recruitment process
which, DI Tyler says, “is phenomenally hard to resist”
***
And yet, periodic waves of teenage violence are not exactly new. ‘You
could say it was ever thus,’” says the author Jon Savage,
whose new study of modern adolescence, ““Teenage” includes
examples of extreme adolescent thuggery dating all the way back
to 1875.
Savage argues that amid the complexity of causes behind the current
conflict, one element is hard to quantify but impossible to avoid.
During WWI and WWII Britain experienced spikes in juvenile delinquency
and violence.
“People forget we are at war because it's abstract and miles away,” he
says. “But it makes a difference. If the top people in the society are
saying force is right, the message trickles down. As teenagers enter society
they pick up very strongly on the messages very society is giving them. The
message today is that you sort problems out by steaming in using maximum firepower.”
Plenty of young people find it unsurprising that the sensibilities
of the social elites are enacted far down the civic hierarchies
with weapons at the school gates, bedrooms, and ice rinks.
“War is what we see,” says J-Hero, a rapper from Tim Brown’s
Raw Materials group. “It’s (i)in(i) us, and it’s shaping
our future. We may vote against war, but they're still gonna do it if they
want to. So you think, Well, the whole place is just war anyway.” Or
as, Marcia, 18, a female former gang member, puts is, “the government
promotes violence - it's (i)their(i) fault we have fights. They fight
with the colour on the flags, the gangs are fighting with the colours on their
rags – their bandanas. It's all territory. Who are we meant to look up
to?”
Analysing events through the filter of pop culture routinely leads
commentators to argue that teenage violence has its roots in other
dimensions of Americanism: in particular where the “nihilism” entry
on Trident’s criminality chart fuses to the martydrom narratives
of gangster rappers like Biggie Smalls and Tupac, or the bleakly
polarized “Get Rich Or Die Tryin’” message of
50 Cent, its current <éminence grise>.
Similarly, considering the gang murder of, say, Kodjo Yenga, in
the light of the mediated violence of video games like Grand Theft
Auto or Manhunt leads a bit too conveniently to the belief that
among supposedly “desensitized” young people, real
violence also is felt to have no consequence.
Those arguments have some currency, says Jon Savage. “For
a long time, popular culture really worked. The problems is that
is presses all these buttons.” And although he is no supporter
of censorship, Savage wonders whether pop culture today isn’t “pressing
those buttons that shouldn't be pressing. It’s much easier
for kids to live in a world of sensation, to think you're a big
man and run round with a gun, than it is to actually do the hard
work to function as an adult.”
In any sense, as Savage writes in “Teenage”, it is “hard
to escape the sense that these youth were only acting out what
the wider society was doing.” Additionally, all those influences
only hold their power when no serious alternative is offered. “It’s
society’s collective responsibility to get realistic role
models instead of drug dealers,” says Trident’s DI
Tyler.
***
In April, shortly after James Andre Smart Fordd, Michael Dosunmu
and Billy Cox were murdered, Tony Blair insisted that the recent ‘“severe
disorder” was not a symptom of a wider social problem but
caused by individuals who needed to be "taken out of circulation".
Some have been: arrest in all three cases have been made and suspects
are awaiting trial, while many prominent gang figures are now also
behind bars today.
Both New Labour and the Tories have been big on one reading of
the idea of “respect”, an equity in broad decline across
the UK. Alongside a focus on police powers, the Home Office launched
a series of initiatives on anti-social behaviour to tackle the
causes of teenage crime, including selfesteem-building initiatives
like Positive Futures and From Boyhood To Manhood that target the
critical 11-18 age range.
“Government alone can't solve the problem,” Home Office minister
Vernon Coaker told GQ. “We need to work in partnership with police, communities
and young people themselves. That is why we have already supported 300 community
groups across the country to tackle knife and gun crime and recently made a
further £500,000 available to support this work.”
But how far will half a million quid will go when in some places, “respect” has
been bent so far out of shape that it turns into a reason to kill
- especially when organisations like Raw Material and KidsCo achieves
miracles in rebuilding the lives of brutalised children, are routinely
short of funds?
Similarly, it is hard to look at a certain six-foot gap of urban-planning
nothingness a short walk from Clapham North tube and ponder whether
those wider social problems of exclusion and disadvantage common
to so teenage lives don't also play their part in the current teenage
conflict.
No more than six feet separates the wall of a pub beer garden on
Bedford Road in Clapham – where one London drinks away its
affluence – and the grey brick wall of Billy Cox’s
home on Fenwick Place. Through the wall at 3.30pm on Valentine’s
Day, metres away from drinkers from a different world, the gunman
emptied a bullet into the 16-year-old’s chest, and Cox died
in his sister’s arms.
Random psychotic behaviour has always been a feature of the teenage
city. There may be some kind of perverse and terrible logic that
organized psychotic behaviour of the capital’s teenage war
is what results when two Londons live ever closer to each other and
yet so very far away.
© Kevin Braddock 2007
Additional reporting: Mervin Martin
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